“Exile is the only country without a geography. It has, however, a climate, a culture, an ecology, an archeology and virtually a national smell.”
“The map of the unreal, the imaginary. And it is only then that they express precisely the immeasurable experience of exile.”-Ugresic
Remembrance is possession. Memory is object(s).
Writing on an author for class, I find that against my will i love these writings in The Croatian that are both scholarship and memoir, impersonal facts and personal stories in between record and invention on this feeling of being displaced.
Searching for home, being in love, loss, exile, feeling displaced…has been the subject of my poems since coming to America at ten. It’s the spirit that makes me hunt genealogy records and save all pictures and all my father’s jewelry. When asked why i am this way, why i do these things, i could never explain it well enough.
All the objects, idols, images, tangibles we’re taught to disrespect but whose importance to me all the same is wrapped up in a story i read.
A Bosnian friend remarks that there are two kinds of refugees, “those who have photographs and those who have none.”
On this particular day the Bosnian-Serb general/war criminal by the name of Ratko Mladic noticed that the Sarajevo home of an acquaintance was on his bombardment list. Mladic phoned him to tell him that he had less then five minutes to collect his photographs and leave.
“The general, who had been destroying the city for months, knew precisely how to annihilate memory. That is why he ‘generously’ bestowed on his acquaintance life, with the right to remembrance.”
All photographs are mementos mori. “To take a photograph is to participate in another person’s mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, all photographs testify to…relentless melt.” – Susan Sontag
Jerusalem Art Project
remembrance is possession, and i am relentlessly possessed.